In my MSU days when I was shooting on 35mm film my favorite setup was TMAX black+white film with a red filter on the camera. I thought this gave landscapes a kind of … “ansel adamsy” type effect.
When I transitioned into digital, one downside was my loss of this effect. I tried numerous ways, including photoshop layers, digital effects, and even using a red filter and converting the image to black and white. No matter what I tried, the results looked plain terrible. It seemed that JPG files deteriorate when exposure and contrast (especially in the blue channel) is pushed to the extreme.
Saturday I decided to try some new things, in hopes I would be able to better reproduce the “ansel adamsy” look. I had come to the conclusion that using an actual red filter on a digital camera was not the way to go. So I shot normal color photos, and used a polarizer filter to keep the nice blue sky from getting washed out. If you have a graduated neutral density filter (who doesn’t!?) that might work as well. Then I set my camera to “RAW” mode, which saves images straight to disk with no processing or JPG compression. Shooting RAW files vs. JPG allows significantly greater flexibility in adjusting color temperature (white balance), exposure, and all the other settings I would need to digitally reproduce the effect film use to achieve so effortlessly…but at the expense of files that can only be opened by special programs and can exceed 35mb each! Yikes!
So here is a color example from Saturday’s shoot:
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And here is the same photos with the black/white + red filter effect:
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Here are a couple others of two Bur Oaks:
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I think it’s a fairly cool look, although I feel as though I am somewhat violating my unspoken rule of minimalist “photoshopping” to my photography. Then again, this same effect can be achieved via traditional photography techniques. After all, one of my favorite photographers, Ansel Adams did it back in the ’30s and ’40s.
